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Synthwave Double Feature: from the dark to the coast

Welcome to my ERA by ZDXSS, followed by Counting Hours by SunsetStation & Qanmi. Two tracks, one listening sequence.

Welcome to my ERA by ZDXSS, followed by Counting Hours by SunsetStation & Qanmi. Two tracks, one listening sequence.

Tonight, make room for a double feature. The first scene moves into shadow; the second opens onto the coast. Put the two tracks in a playlist, play them in order and let the pictures arrive.

We are FAD Records. For Synthwave Double Feature, we invite you to listen to two singles in sequence: Welcome to my ERA by ZDXSS, and Counting Hours by SunsetStation & Qanmi.

15-second preview · FAD Records

01 / FIRST FEATURE · DARK SYNTHWAVE

Welcome to my ERA

ZDXSS

ZDXSS — Welcome to my ERA original artwork
Listen to this track
Welcome to your era.

The concept for Welcome to my ERA begins in a darker atmosphere: shadowy spaces and retro synthesizers, with cold sounds moving slowly through the scene.

Its cover places the scene in black and red. A figure in the dark and the red light of a mechanical mask sit beside the title, like a film poster waiting for its opening scene.

Imagine the screen going dark, with only a single beam of light remaining. The title appears, and the story steps into its own era.

We place it first. As you listen, notice which sounds suggest distance or space, and which image comes to mind first.

02 / SECOND FEATURE · SYNTHWAVE

Counting Hours

SunsetStation & Qanmi

SunsetStation & Qanmi — Counting Hours original artwork
Listen to this track
The night deepens. Time keeps moving.

Counting Hours takes the picture somewhere more open. Fresh melodies and synthesizer rhythms suggest a night journey along a coastal road after rain: reflections on the road, city lights slowly falling behind.

On the cover, a person follows the road into the distance. Between the sea, the wet pavement and the distant city, there is space to pause.

These are the images connecting the two tracks in our double feature: leaving the shadows of the first scene for the night road of the second, carrying one track’s mood into the next.

03 / AFTER THE SCREENING

Why play these two tracks together?

Double Feature borrows the idea of showing two films in succession. Here, it is an invitation to pay attention to the transition between tracks.

On its own, each track has an opening and an ending. Played back to back, the mood left by one becomes part of the opening of the next. Listening order is part of this project.

Try this order, then reverse it. Which sequence gives you a more continuous picture? When the second track begins, how much of the first one’s mood remains?

The night screening and the coastline are the associations we bring to this pair of tracks. Your own pictures may be entirely different.

If you paired each track with a film shot, what would you choose?